專業土耳其卡農琴 MK-123是一把出自 Mustafa Sağlam 安卡拉工作室的土耳其卡農琴——懸鈴木(梧桐木)琴身、黑檀弦軸、阿爾帕卡合金 mandal 音高調節桿、PVF 琴弦,調為標準土耳其 A-A' 瑪卡姆(makam)音階。它與姊妹款MK-404出自同一位製琴師、投入同樣的工時、遵循同樣的品質標準;兩者唯一的差別在於琴身木材,因而各自擁有獨特的色澤與外觀。
兩款皆出自同一間安卡拉工作室,由同一位製琴師(Mustafa Sağlam)製作,遵循相同的製作標準,價格也完全相同。兩者之間沒有品質高低之分,唯一有意義的差別在於木材:MK-123 採用懸鈴木/梧桐木(較輕、色澤較淺,更接近經典土耳其卡農琴的外觀),而 MK-404 採用胡桃木搭配雲杉面板(音色更溫暖、色澤更深)。請依您喜愛的木材挑選——兩款同樣都能完美勝任土耳其瑪卡姆曲目。
| 製琴師 | Mustafa Sağlam——土耳其安卡拉 |
|---|---|
| 定弦 | 土耳其 A-A'(低音 A 至高音 E) |
| Mandal 系統 | 每組弦 24 個(阿爾帕卡合金) |
| 面板 | 懸鈴木(梧桐木) |
| 弦軸 | 黑檀 |
| 琴弦 | PVF 尼龍 |
| 內含 | 硬殼琴盒、備用琴弦、mandal 鎖緊扳手、指套撥片 |
| 原產地 | 土耳其安卡拉 |
| 型號 | 價格 | 琴身木材 | 製琴師 |
|---|---|---|---|
| MK-123 | $1,299 | 懸鈴木(梧桐木) | Mustafa Sağlam · 安卡拉 |
| MK-404 | $1,299 | 胡桃木+雲杉 | Mustafa Sağlam · 安卡拉 |
| MKA-4 | $1,299 | 懸鈴木面板 | Mustafa Sağlam · 安卡拉 |
| MKE-5 | $1,299 | 懸鈴木面板 | Mustafa Sağlam · 安卡拉 |
| MSK-4 | $3,999 | 頂級製作 | Miras · 伊斯坦堡 |
兩款皆由 Mustafa Sağlam(安卡拉)製作,品質相同,價格同為 $1,299。唯一的材料差異是木材——MK-123 為懸鈴木(較輕),MK-404 為胡桃木+雲杉(較溫暖、較深色)。請依色澤喜好選擇;沒有哪一款「更好」。
Mustafa Sağlam 的工作室,位於土耳其安卡拉。經我們位於伊斯坦堡于斯屈達爾(Üsküdar)的工作室檢驗與調整後,寄送至全球各地。
每天練習 1-2 年,即可自信地演奏。Mandal 系統讓難度不只在於音高——每次轉換瑪卡姆時,都需要在曲中改變音程位置。
是的。樂器從安卡拉運至我們的伊斯坦堡調整工作室進行檢驗,之後以雙層訂製木箱、泡棉緩衝包裝,透過全額保險的 DHL/FedEx Express 寄出。寄往歐盟/美國需 5-9 個工作天。
一般使用:6-12 個月。每日練習/演出:3-6 個月。請以整組弦(而非單根弦)為單位更換,以維持音色平衡。
我何時會收到訂單?
全球免運配送時間為 3–5 週。
DHL 全球配送時間為 2–4 天。
Sala Muzik 是否提供國際配送?
目前我們配送至全球各地。
Extremely pleased with the quality, the beautiful design and especially the sound of this Kanun. Shipping was timely and well packaged. Was very impressed with how well it stays in tune, even after long practice sessions and with variations in weather. The hard case is very stable, yet quite easy to carry.
My highest compliments and deep gratitude to Sala Music! Teşekkür ederim!
My first Kanun. I don’t have much experience to compare but the more time I spend the more fun I get. Inlays seems to be set strategically and very helpful mapping the instrument. I figured imaginary lines between inlays which makes it easy to locate harmonics. I am not sure whether it was random or ingenious of the maker, but I am leaning towards latter. Had it for a few weeks and tuning hasn’t set in yet. May be this is natural to this instrument since it has many moving organic parts. Once tuned it holds pretty well during fun session. I practice about 3-4 times a week. I need to spend 15-20 minutes each time to tune. It loses a few cents on almost all strings. Sometimes I tune using mandals to get there faster if all three strings lost value to a closer or similar degree. So far I am happy with the purchase. It arrived fast and it was packed very well.
I'm satisfied with the good quality of this beautiful Kanun. I received it in my country after 5 days only from payment and without extra taxes. I never played Turkish Kanun (I used to play on Arabic Kanun) and I think this is a good one in term of quality and price. It's also with lightweight and easy to carry as arabic ones are heavy! Thank you SALA MUZIK :)
This is my first time buying a Kanun and it has a really great sound. Thanks to Mustafa Saglam who created an instrument that gives pleasure when you play and here it. I even received some extra strings for the Kanun. If you are interested in Turkish Makams, Classical Turkish Music and more, you can definitely give this instrument a try! If this is the first time you are seeing this instrument, try listening Goksel Baktagir and Aytac Dogan.
This is a beautiful instrument, and I've been looking forward to learning to play it. I bought it so I could play some microtonal tunings by using the mandals, but that concept only works if the tuning is stable. Due to a combination of peg slippage and the stretching of the new nylon strings, a few strings are out of tune again even before I finish tuning. A friend advised me to put chalk on the pegs that totally came loose during tuning, and I've been doing that. It does help. I don't know whether the tuning will become more stable as the instrument settles down, or whether there's something odd about this particular qanun. Tuning before you play is of course necessary for any qanun! It's what musicians do.As a point of reference, the Korg chromatic tuner is worse than useless with a rapidly decaying plucked string. I'm using a sustained synthesizer tone for reference while tuning, a pure sawtooth wave. I know what strings sound like when they're in tune. I don't mind a little beating between two strings in a course. That adds to the tone quality of the qanun. But what I've heard so far, in the first few days, is more than "a little beating."